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martes, 10 de marzo de 2009
Nino Rivera y Julio Gutierrez - Jam Sessions 1957-58
Niño Rivera y sus Cuban All Stars
1) Montuno con Swing
2) Montuno Guajiro
3) Chachacha Montuno
4) Guaguanco Comparsa
Niño Rivera - Tres
Orestes Lopez - Piano
Negro Vivar - Trompeta
Emilio Penalver - Saxo
Richard Egues - Flauta
Bol Vivar - Bajo
Guillermo Barreto - Timbales
Yeyito Iglesias - Bongo
Tata Guines - Tumbadora
Gustavo Tamayo - Guiro
Julio Gutierrez y su Orquesta
5) Descarga Caliente
6) Rhumba Theme
7) Oye mi ritmo caliente
8) Bata Rhythm
Julio Gutierrez & Peruchin Justiz - Piano
Negro Vivar - Trompeta
Oscar Valdes - Bongo
Bol Vivar - Bajo
Marcelino Valdes - Tumbadora
Emilio Penalver - Saxo
Este post llega gracias al aporte de Axelito
Rumbéatelo part.1
Rumbéatelo part. 2
Tito Puente - Goza Mi Timbal 1989
Temas:
1. Airegin (4:16)
2. Cha Cha Cha (6:39)
3. Pent Up House (5:49)
4. Picadillo A Lo Puente (3:52)
5. All Blues (5:16)
6. Ode to Cachao (6:39)
7. Straight No Chaser (4:58)
8. Lambada Timbales (4:10)
Músicos:
Tito Puente - timbales, marimba, vibraphone, chekere
Bobby Rodriguez - bass
Jose Madera - congas, percussion
Sam Burtis - trombone
Mitch Frohman - saxophone, flute
Johnny "Dandy" Rodriguez - bongos, percussion
John Santos - chekere, bongos
Robbie Kwock - trumpet, flugelhorn
Sonny Bravo - piano
Mary Fettig
David Piro Rodriguez
Rebecca Mauleon - synthesizer
Personnel: Tito Puente (timbales, marimba, vibraphone, chekere), Mary Fettig, Mitch Frohman (saxophone, flute), David Piro Rodriguez, Robbie Kwock (trumpet, flugelhorn), Sam Burtis (trombone), Sonny Bravo (piano), Rebecca Mauleon (synthesizer), Bobby Rodriguez (bass), Johnny Rodriguez (bongos, percussion), John Santos (chekere, bongos), Jose Madera (congas, percussion).
Producers: Carl E. Jefferson, Tito Puente.
Recorded at Mobius Music Recording Studio & Coast Recorders, San Francisco, California on July 31 & August 1, 1989. Includes liner notes by Hugh Wyatt.Producers: Carl E. Jefferson, Tito Puente.
Rumbéatelo:
Gerry Mulligan - What Is To Say ? 1958
320 KBPS / 100 MB
Músicos:
Gerry Mulligan, baritone sax;
Art Farmer, trumpet;
Bill Crow, bass;
Dave Bailey, drums
Temas:
1. What Is There To Say?
2. Just In Time
3. News From Blueport
4. Festive Minor
5. As Catch Can
6. My Funny Valentine
7. Blueport
8. Utter Chaos
Art Farmer, trumpet;
Bill Crow, bass;
Dave Bailey, drums
Temas:
1. What Is There To Say?
2. Just In Time
3. News From Blueport
4. Festive Minor
5. As Catch Can
6. My Funny Valentine
7. Blueport
8. Utter Chaos
WHAT IS THERE TO SAY? is undoubtedly one of the high points in Gerry Mulligan's distinguished discography. Along with Chet Baker, Miles Davis, and Ornette Coleman, Mulligan was one of the first to experiment with creating space in jazz by subtracting instrumentation and chordal comping. To this end, Mulligan released a series of albums sans piano in the 1950s, of which WHAT IS THERE TO SAY? is the most fully realized. The quartet features Mulligan on baritone sax, Art Farmer on trumpet, Bill Crow on bass, and Dave Bailey on drums.
Without a piano to flesh out the midrange, the music takes on a spare, poignant chamber feel, with the bass and drums rumbling beneath Farmer and Mulligan's sinuous, interweaving lines. The set, which includes three Mulligan originals, a tune by Farmer, and a series of covers (note the delicate, moody rendition of "My Funny Valentine"), is a case study in tasteful arrangement and lyrical playing. For all of this, the album swings, and holds its own against any bop outing of the era. WHAT IS THERE TO SAY? was Mulligan's first recording as a leader for Columbia Records, and the level of skill and innovation displayed proved him a true frontrunner in the jazz big leagues.
Allmusic.com:
The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader.
This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.
Este aporte es gracias a Luiggi Fornicalli
Rumbéatelo:
Without a piano to flesh out the midrange, the music takes on a spare, poignant chamber feel, with the bass and drums rumbling beneath Farmer and Mulligan's sinuous, interweaving lines. The set, which includes three Mulligan originals, a tune by Farmer, and a series of covers (note the delicate, moody rendition of "My Funny Valentine"), is a case study in tasteful arrangement and lyrical playing. For all of this, the album swings, and holds its own against any bop outing of the era. WHAT IS THERE TO SAY? was Mulligan's first recording as a leader for Columbia Records, and the level of skill and innovation displayed proved him a true frontrunner in the jazz big leagues.
Allmusic.com:
The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader.
This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.
Este aporte es gracias a Luiggi Fornicalli
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